I am an associate professor of American and comparative literature at the University of Leuven, where I direct the interuniversity research master in literary studies. I work in the fields of contemporary literature, critical theory, world literature, and the environmental humanities. My current writing project explores the increasing prominence of the USA, and especially New York, in the production and circulation of world literature through the notion of 'world literary value.' I am a member of the University of Leuven's Research Council.
I am the author of three books. Literature and the Anthropocene was published in Spring 2020 in Routledge's "Literature and Contemporary Thought" series. The book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a case for literature’s unique contribution to contemporary environmental thought. It discusses works by John Burnside, Jamaica Kincaid, Thomas King, J.M. Ledgard, Ben Lerner, Evelyn Reilly, Jeff VanderMeer, Alexis Wright, Karen Tei Yamashita and others.
My first book, Geoffrey Hartman: Romanticism after the Holocaust, was republished in paperback by Continuum in 2012. I published a second monograph with Palgrave Macmillan in 2015, entitled Contemporary Literature and the End of the Novel: Creature, Affect, Form, on the paradoxical productivity of intimations of the end of the novel in early twenty-first-century fiction. The book discusses the work of, among others, J.M. Coetzee, Teju Cole, Lars Iyer, Hari Kunzru, Dana Spiotta, and James Meek. I present the book here.
I am also the co-editor of eight volumes, most recently on the methods and forms of world literature (Institutions of World Literature, published by Routledge); on the notion of creatureliness (for the European Journal of English Studies); on recent developments in memory studies (Memory Unbound, published by Berghahn); and on 'Contemporary Literature and/as Archive' (as a double special issue of LIT: Literature Interpretation Theory). My writing has appeared (or will appear) in journals such as Anglia, Arcadia, Contemporary Literature, Criticism, Critique, Cultural Critique, Genre, Literature Compass, Journal of Modern Literature, Memory Studies, Modern Fiction Studies, Mosaic, Parallax, Poetics Today, Political Theory, Post45, Resilience, Studies in the Novel, Style, and Textual Practice.
Here you find more information about my writing and my teaching. Where possible I have posted links to online versions of my essays. If there is no link, or if you run into a paywall, email me and I will send you a copy.
I am the author of three books. Literature and the Anthropocene was published in Spring 2020 in Routledge's "Literature and Contemporary Thought" series. The book is the first to critically survey how the Anthropocene is enriching the study of literature and inspiring contemporary poetry and fiction. Engaging with topics such as genre, life, extinction, memory, infrastructure, energy, and the future, the book makes a case for literature’s unique contribution to contemporary environmental thought. It discusses works by John Burnside, Jamaica Kincaid, Thomas King, J.M. Ledgard, Ben Lerner, Evelyn Reilly, Jeff VanderMeer, Alexis Wright, Karen Tei Yamashita and others.
My first book, Geoffrey Hartman: Romanticism after the Holocaust, was republished in paperback by Continuum in 2012. I published a second monograph with Palgrave Macmillan in 2015, entitled Contemporary Literature and the End of the Novel: Creature, Affect, Form, on the paradoxical productivity of intimations of the end of the novel in early twenty-first-century fiction. The book discusses the work of, among others, J.M. Coetzee, Teju Cole, Lars Iyer, Hari Kunzru, Dana Spiotta, and James Meek. I present the book here.
I am also the co-editor of eight volumes, most recently on the methods and forms of world literature (Institutions of World Literature, published by Routledge); on the notion of creatureliness (for the European Journal of English Studies); on recent developments in memory studies (Memory Unbound, published by Berghahn); and on 'Contemporary Literature and/as Archive' (as a double special issue of LIT: Literature Interpretation Theory). My writing has appeared (or will appear) in journals such as Anglia, Arcadia, Contemporary Literature, Criticism, Critique, Cultural Critique, Genre, Literature Compass, Journal of Modern Literature, Memory Studies, Modern Fiction Studies, Mosaic, Parallax, Poetics Today, Political Theory, Post45, Resilience, Studies in the Novel, Style, and Textual Practice.
Here you find more information about my writing and my teaching. Where possible I have posted links to online versions of my essays. If there is no link, or if you run into a paywall, email me and I will send you a copy.